El autor de esta columna será uno de los encargados del IV Taller Latinoamericano de Periodismo Gráfico, que se realizará entre el 16 y el 18 de mayo, en Puerto Vallarta, México.
So what is the future for us professional photojournalists? What will be our role in news rooms, when everyone around us is ´posting' , selling and trading pictures on the world wide web.
Nowhere was this more apparent than on December 26th 2004 when as a deadly tsunami hit southeast Asia. From the tropical beaches of Phuket and Ko Phi Phi in Thaliland to Banda Ache in Indonesia, thousands of tourists witnessed how the deadliest wave in recent times destroyed villages, town and loved ones. The world was swamped with grief and tragedy, but another wave loomed on the horizon, or should I say, in cyberspace. Within minutes of the tragedy, thousands of images were being posted on web sites and blogs around the world, and being send to news agencies like AP and AFP from the remote corners of the world. Days before any staff photographers, TV production crews and Aid workers were able to get to the scene of the disaster, which covered 5 continents, amateur photographs were splashed across the front pages of the world´s most influential newspapers.
El jueves 18, la segunda parte.
Richard Emblin es editor de Fotografía del diario El Tiempo, de Bogotá, Colombia. Las imágenes de Emblin pertenecen a un fotoreportaje que realizó en Cartagena de Indias, en el Colegio del Cuerpo, en una de las barriadas más pobres del lugar. En este lugar más de un 60% vive por debajo de los índices de pobreza.